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Archive for February, 2008

NYTVF Pilot Competition open to web series

At the end of Wednesday’s excellent BigScreen LittleScreen meetup Ned Canty, director of the New York Television Festival (NYTVF), introduced the Independent Pilot Competition. Submission deadline is June 30th.

The New York Television Festival will take place in September. NYTVF was co-founded by Phil Thomas Di Giulio, who presented WellcomeMat at Web2NewYork January.

The NY Venture Community Group

LinkedInIT Venture Partner Mark Davis has launched a new group on LinkedIn, "The NY Venture Community Group". In just three days, the group has over 400 people subscribed and a good bit of activity.

Davis explains the purpose for the group, "The New York Venture Community is the LinkedIn group for entrepreneurs, startup teams, venture capitalists and venture service providers in the New York region.  The purpose of this group is to make it easier to 1) find other people in region interested in venture and 2) connect with these people.  Lastly, being part of this group will make it easier for others to find you."

If you are seeking funding now or plan to in the future, you need to be reading Davis' blog. He has a huge library of information about every facet of the funding process. Frankly I think he should be selling this information because it easily could mean the difference between getting the funding and not.

Josh Kelley in ‘Special Company’ With LIVE@FYI and Chipotle

jkliveatfyi.pngDNK recording artist Josh Kelley will join a growing list of acclaimed performers when he steps in front of the cameras for a performance on LIVE@FYI this Friday, February 29th, 2008 at 12:30 p.m. EST.

Joining previous LIVE@FYI performers Jenny Owen Youngs, Sandrine, Ari Hest and Jaymay, Kelley will be making an appearance on the popular Internet music show as part of his promotional stops all over New York City, including Live with Regis and Kelly which will culminate with his performance at the legendary Roseland Ballroom later that evening.

Kelley is currently in the midst of a U.S. tour following the recent release of his latest album, Special Company, which features the Hot AC hit “Unfair.”

“Josh is an amazing performer and great friend, so we’re obviously looking forward to featuring him on LIVE@FYI,” said Paul Kontonis, For Your Imagination’s CEO. “This will be a real treat for his fans and music fans all over the world.”

This episode of LIVE@FYI will also be the unveiling of a sponsorship deal with the popular Chipotle Mexican Grill restaurant chain.  The agreement includes elements of content integration and brand awareness and LIVE@FYI marks the first online media show the chain has sponsored.  

Produced by online media company For Your Imagination, each episode of LIVE@FYI is streamed live over the Internet using the live online broadcasting platform Mogulus, and consists of both a live performance as well as intimate discussions with the artists and behind the scenes moments. The show is hosted by For Your Imagination’s own Jon Johnnidis.  The show can be found at www.liveatfyi.com.

If you are interested in booking an artist, covering or sponsoring the show, please contact John Henkel, Vice President, Artist and Industry Relations of For Your Imagination.

Magnify Adds Some Magnification To The Tune of $1 Million Financing

Magnify.netJust a week after announcing their 2007 figures and a month after opening their graphics platform, NY-based Magnify.net is announcing a new round of financing to the tune of $1 million dollars. Magnify.net is a white-label social networking provider that the company describes as, "online video discovery and broadcast platform for websites". The tool allows site owners to add custom video channels to enhance the overall user experience and keep users on the site longer, thereby allowing for more chances to monetize the user.

The money will be used to continue expansion and hire more staff for their ad network. Participating in the round are current investors: Next Stage Capital, New York Angels, Rose Tech Ventures, Active Angel Investors, and a number of individual investors including Chris Anderson. New to the round-up are: Ogden Capital and Gideon Gartner.

The company reports new membership at 1,000 sites per week.

Meaning-Based Web and Web 3.0

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Do In-Video Overlay Ads Bug You?

tvweekbaloverlay.pngTelevisionWeek contributing writer Daisy Whitney has posed the question, Do overlay ads bug you?, in the TelevisionWeek Trial and Error blog. More and more video networks are using overlay ads as a way to monetize video. Overlay ads are usually non-linear video ads which run parallel to the video content so the users see the ad while viewing the content. Non-linear video ads can be delivered as text, graphical ads, or as video overlays.  The most com mon non-linear video ad products include the aforementioned overlays which are shown directly over the content video itself such as the ones she highlights in Break a Leg. So tell us what you think. They don't bother us and they don't bother Daisy. Do they bother you?


Jeff Pulver’s breakfast (with friends) in NYC

This morning I was at Breakfast with Jeff Pulver and friends. A supremely interesting and entertaining event with 101 people at Friend of a Farmer near Union Square.

When you enter, you are presented with your social networking toolkit:

which is two large name tags and bunch of small stickers for real-time social ‘tag’ging. You write down “cool”, “new york”, “internet video”, etc. on the small stickers and quite literally put them on people you are talking to, a very entertaining and quite literal social tagging experience. I think it’s brilliant, I felt the urge to tag everything on the way home on the subway “nice shoes”, “annoying ad”, etc :)

One thing of note was I had a chance to meet and chat with David Troy of TwitterVision fame. Unype shares a lot of characteristics with Dave’s work (which also includes FlickrVision and the new spinvision.tv). TwitterVision and FlickrVision are also featured at the new MOMA exhibit, Design and the Elastic Mind, definitely check it out.

BricaBox Launches Into Public Beta

BricaBoxWe've covered NY-based BricaBox several times before as they have moved through their private Beta. Yesterday I stopped by their office in Chelsea to learn more about their public beta launch today. They call themselves a "social content platform" and allow users to create robust sites that are bigger than a blog but smaller than a full-blown CMS like Drupal.

The easiest way to think about BricaBox is that it's like a blog or wiki plus widgets already installed and ready for your choosing to create sites like a photo mashup with Google Maps, or a directory of x resources with Compete traffic charts. The sites are completely customizable and a new feature they've added allows new users to "dupe" a BricaBox to create their own -- making it very easy to have a starting point to build from.

The first question I asked the team is about comparisons to Ning, Magnify and KickApps. CEO Nate Westheimer said that BricaBox is different because they are more like a CMS with a social network. Westhimer also walked me through his Bricabox, Nate's List.

I asked Westheimer about their business model. He shared that it will have three components: pro accounts, rev share when the user selects to run advertising and an ad buyout option on white-label services.

My initial suggestion for them is to create a BricaBox to be their show-off site. Something bigger than Nate's List - maybe a Celebrity list site that shows locations that some big celeb has been around to in NYC. They need something to draw in new users and show the power of the tool to get users engaged enough to want to build their own.

The company is bootstrapped with friends and family helping out currently. They are looking for a PHP developer, contact them via the BricaBox site if interested.

Check our previous BricaBox coverage. Here's Westheimer with CTO Kyle Bragger:

BricaBox

Here's their demo video of how to use the tool:

Here Comes Everybody, by Clay Shirky

[Disclaimer: I received a free advance copy of this book for review, but would happily have bought this book from Amazon.]

I have been a fan of Clay Shirky since I first found his work. Several early posts on this blog were commentary on his articles covering topics such as process, situated software, and the semantic web. As a faculty member of the ITP program at NYU, he writes incisively about the impact of new social technologies on the communications of many to many, the title of the group blog where he posts. So I was thrilled when he mentioned that he had written a book. And after blasting through the book over the weekend, my expectations have been exceeded.

Shirky starts off with the story of a lost phone. The phone was left in a taxi in New York, but eventually ended up in the hands of a teenage girl. When asked politely to return the phone to its owner, the girl responded with taunts; after all, what could the owner do? A friend of the owner started a web page to tell the story of the lost phone. Since the phone’s data was mirrored on the cell phone website, he posted pictures that the girl had taken with the phone as well as the email address she was using from the phone. The story went viral, and thousands of people started emailing with advice, including members of the New York Police Department, and eventually the girl was found and arrested for holding stolen property.

How did this coalition of people come into existence? How could this story of a lost phone reach thousands of people and convince many of them to help find the phone? Shirky provides a guide as to how and why the world has changed in response to evolving social technologies such that the lost phone could be found in a way that would be unthinkable even ten years ago.

Shirky sets the stage by discussing the work of Ronald Coase, who wondered why companies existed. Free markets suffice to connect buyers to sellers, so why were markets unable to connect individual workers together to make products? He suggested that transaction costs explained this inconsistency. Transaction costs are the externalities associated with a market transaction, the time spent finding the appropriate people and “making and enforcing agreements among the participating parties”. If the transaction costs are high to find coworkers (as anybody who has spent time interviewing potential employees will attest), then companies make sense so that the transaction cost is a one-time cost of hiring rather than having to find coworkers for each new project.

Shirky posits that in such a world, there exists a Coasean floor, below which there are types of interactions that are impossible because the transaction costs are too high. Such activities “are valuable to someone but too expensive to be taken on in any institutional way, because the basic and unsheddable costs of being an institution in the first place make those activities not worth pursuing”. Shirky uses the example of the Coney Island Mermaid Parade. Hundreds of people take pictures of the parade each year and share them with friends and family, but had no way to share them with each other. In 2005, Flickr appeared and now it’s trivial to find pictures of the Mermaid Parade taken by dozens of people. A company would never find it profitable to organize this sharing of pictures, but Flickr enabled it by letting people organize themselves, an activity that would previously have been below the Coasean floor.

These newly possible activities are moving us towards the collapse of social structures created by technology limitations. Shirky compares this process to how the invention of the printing press impacted scribes. Suddenly, their expertise in reading and writing went from essential to meaningless. Shirky suggests that those associated with controlling the means to media production are headed for a similar fall. Twenty years ago, achieving an audience of more than a few dozen people required signing a deal with a publishing house, getting on TV, working at a newspaper, etc. With the global audience of the Web, everybody is a publisher, and the concept of a professional publisher or journalist or broadcaster is disappearing.

This collapse of institutions comes at a price, as it has become increasingly difficult to find the “good” stuff. Under the previous regime, quality was implied by publication, as the costs of publication meant that institutions would filter material before publishing it. With publishing costs dropping to zero, anything can be published, so we must find ways to filter for quality after publication. We are quickly developing the tools to handle this filtering, starting with Google, whose PageRank algorithm rewards pages that are linked to by others, and continuing with our communities, where we check out links that our friends email to us or post on their blogs, but we are still learning to live in this paradigm.

These new social tools are enabling new social patterns. Shirky suggests that group activities are being enabled at three levels:

  • Sharing, with tools like Flickr and del.icio.us allowing us to share things with others
  • Collaboration, with a primary example being Wikipedia or Linux
  • Collective action, where a group of people forms to pursue a larger purpose, and uses social tools ranging from web pages to discussion groups to email lists to enable them to stay connected with each other and stay unified.

The rest of the book is filled with wonderful examples of each of these activities, such as Egyptian activists using Twitter to keep each other updated of their activities and confrontations with authority, or Belarussian protestors using LiveJournal to organize flash mobs.

I started to write up all the bits that I liked, but realized that I was just repeating everything in the book, so you should just buy the book and read it yourself. To whet your appetite, I’ll include his practical advice on how to form a sustainable social group:

Every story in this book relies on a successful fusion of a plausible promise, an effective tool, and an acceptable bargain with the users. The promise is the basic “why” for anyone to join or contribute to a group. The tool helps with the “how” - how will the difficulties of coordination be overcome, or at least be held to manageable levels? And the bargain sets the rules of the road: if you are interested in the promise and adopt the tools, what can you expect, and what will be expected of you?”

Shirky’s book is a terrific introduction to the world of social technology, with an overview of both the social and the technological and how they are interacting with each other to form new mashups. I highly recommend it to anybody who has the faintest interest in how new tools are giving us more power by multiplying the number of ways in which we can interact with each other.

P.S. Some quotes I particularly liked:

  • “Communications tools don’t get socially interesting until they get technologically boring.” (with the example that people my age know that the fax machine predates the Web, but have no idea about the ordering of radio compared to the telephone since both of those technologies preceded us. Similarly, teens today have always lived in a world with always-on Internet access, so the Internet is not technology to them, it’s just the world.)
  • “Cities exist because people like to be near other people, and it is this fact, rather than the mere trading of information, that creates social capital. (Anyone who predicts the death of cities has already met their spouse.)”
  • “The groups now adopting social tools form the experimental wing of political philosophy, a place where hard questions of group governance are being worked out.”

P.P.S. If you prefer to watch rather than read, check out Clay Shirky’s Long Now talk, where he covers some of the same material. In particular, he discusses the power of tagging to organize the world’s information without anybody actually taking responsibility for the organization.

BigScreen LittleScreen February Meetup

global_1828957.jpegThe February Big Screen Little Screen - The Creative Side of Video 2.0 will be held on Wednesday, February 27th at 6:30pm at the For Your Imagination studio and will feature many great online web videos! Come watch selected online video works and then discuss creative, production, and technical issues of creating video content for the web with hosts Matt Semel of 10ton and Paul Kontonis of For Your Imagination. This is best online video screening and discussion event you will ever go to...we sit on couches, we have a few drinks, and then we discuss. If you are an online video and interactive content creator and/or enthusiast, and we know you are, this is where you should be! Click here to RSVP.